![]() Title I-1/2 which gives certain small benefits to ASCAP and BMI.Title I which establishes the blanket license, a willing-buyer willing-seller standard for mechanical royalty rate setting, the Mechanical Licensing Collective (called the “MLC”), the all-important safe harbor for Big Tech’s massive infringement of songs, and authorized the creation of the “musical works database” which is the subject of this post.The “MMA” comes in three parts (or as I say three and one-half): Copyright Act styled the “ Music Modernization Act,” you will remember that America now has a blanket license for the mechanical reproduction of songs (or will have as of 1/1/21). If you’ve been following the evolution of the “aircraft carrier” revision of the U.S. Digital Services: Crunch Digital Sandbox.Streaming platforms… on Streaming Remuneration: …Ĭontrolled Compositi… on How to deal with the “co…ĪFL-CIO joins fight… on AFL-CIO Backs Artist Play for… Juan antonio salvio… on What to do with the MLC’… Silicon Valley Bank Shuts Down–Crash or Comeuppance?.Unrealized Losses and the Black Box Investment Policy.Subduing without fighting: Avoiding Hyperinflation Rot in Statutory Royalties.The Longer Table: The UK Government Working Group for Fair Pay for Creators. ![]() Should the Compulsory License be Re-Upped?.Enter your email address to follow MusicTech.Solutions and receive notifications of new posts by email plus the MusicTechPolicy Monthly email Newsletter
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